
(unang pintura)
unang patong
a technique used in painting, where a layer of paint (usually in a monochromatic or neutral color) is applied to a canvas or other surface before the final layers of colors are added
Underpainting is a technique where artists start by applying a single, usually light or neutral color to the canvas. This first layer helps to outline the main shapes and shadows of the painting, creating a basic plan for the artwork. After this layer dries, artists add more layers of paint on top, gradually building up color and detail. This method helps create depth and richness in the final artwork, making it look more vibrant and detailed. Underpainting can also help artists in planning the overall artwork, making sure that the final colors and details are well-balanced.
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(papato)
pagsunod
a technique used in drawing and painting that involves the use of small dots or markings to create a pattern or texture
Pouncing is a drawing and painting technique where artists use small dots or marks to create patterns or textures on a surface. This method often involves a tool called a pounce wheel, which has tiny, evenly spaced teeth, or dotted paper, which helps transfer a design by tapping or rubbing over it. The tiny dots or marks build up the overall texture and detail of the artwork. This technique is useful for adding shading, creating texture, or transferring a draft sketch onto a final canvas or paper.
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(liwanag at dilim)
chiaroscuro
a technique used in drawing and painting that involves the use of light and dark tones to create a sense of depth and contrast
Chiaroscuro is a technique used in art to create a strong contrast between light and dark areas. This method helps to give a sense of depth and volume to objects, making them appear more three-dimensional. By carefully balancing light and shadow, artists can emphasize important details and create a dramatic effect in their artwork. Chiaroscuro is often used to make art look more realistic and to attract attention to a subject, helping it stand out more against the background.
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(pagguhit ng tinta)
tinta sa tubig
a painting technique that involves diluting ink in water and applying it to a surface to create a range of shades and tones, from light to dark, to create a monochromatic painting
Ink wash is a technique in art where artists use ink mixed with water to create shades of gray or color on paper. This technique involves applying different amounts of ink to produce different levels of darkness and lightness, which helps to build up depth and texture in the artwork. Artists often use brushes or other tools to apply the ink and blend it, creating smooth transitions and detailed effects. Ink wash is commonly used in drawing, illustration, and traditional painting to achieve a range of tones and create a soft, flowing appearance.
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(frotash)
frottage
a technique used in drawing and painting that involves the use of textures to create a pattern or texture
Frottage is an art technique where artists create textures and patterns by rubbing or pressing a material, such as paper, against a textured surface. The result is a detailed copy of the surface's texture, which is then used in artwork. For instance, an artist might place paper over a rough surface and rub a pencil or crayon over it to capture the texture, which can then be used in drawings or other artistic works. This technique can add interesting textures and effects to a piece, giving it a unique and physical quality.
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(basa ng basa)
basa-sa-basa
a technique used in painting that involves the application of wet paint onto a wet surface
Wet-on-wet is a painting technique where artists apply wet paint directly onto a layer of paint or on a canvas that is still wet. This method allows the colors to blend and mix together on the surface, creating smooth transitions and soft edges. It is often used to achieve soft, flowing effects or to create a sense of depth and movement in the artwork. By working with wet paint, artists can control how colors mix and build up layers with a smooth flow. This technique is commonly used in watercolor and oil painting to create expressive and lively visual effects.
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(fresko)
fresco
a technique of mural painting that is done by putting watercolor on wet plaster on a wall or ceiling
Fresco is a painting technique where artists apply pigments mixed with water onto wet plaster. As the plaster dries, the paint becomes part of the wall or ceiling surface, creating a long-lasting image. This method is often used for large paintings or artworks on buildings. Frescoes can be colorful and detailed, and because the paint is absorbed into the plaster, they tend to be very durable.
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(libreng gawain ng brush)
malayang pagpipinta
a painting technique that involves applying paint to a surface using a brush without the use of stencils, rulers, or other tools to create a more spontaneous and expressive style
Freehand brush work is a painting or drawing technique where the artist uses a brush directly on the surface without any additional tools or guides. This method allows the artist to apply paint or ink in a natural and expressive way, creating unique and personal strokes. It emphasizes the artist's control and skill, often resulting in more flowing, lively, and original artworks. Freehand brush work can be used in various styles, from abstract to realistic, and is appreciated for its immediate and personal results.
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(kamayuhang kulay)
camaieu
a technique used in art, typically painting or graphics, in which various tints of a single color are used to create an illusion of shades and tones within the same color family
Camaïeu is a technique where an artwork is made using just one color or different shades of that color. Instead of using many colors, artists use light and dark versions of the same color to show depth and contrast. This approach creates a balanced and elegant image that highlights shapes and textures. Camaïeu is often used to create a unified look in paintings and drawings, focusing on the details of the single color.
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(pagbubuo ng seramik)
paghuhulma ng seramik
the various techniques used to shape and form clay into usable ceramic products like pots, vases, tiles, sculptures, and more
Ceramic forming refers to the different methods used to shape clay into ceramic items. These techniques include hand-building, where clay is shaped by hand; wheel throwing, where the clay is spun on a potter’s wheel to form items; and molding, where clay is pressed into a pre-made shape. After shaping, the clay is dried and then fired in a kiln, which is a special oven that heats the clay to high temperatures to harden it. These methods allow artists and potters to create a wide range of ceramic objects, from simple bowls and vases to delicate sculptures and tiles.
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(champleve)
champlevé
a decorative technique where a design is carved or cut into a surface, usually metal, and then filled with colorful enamel or other materials to make a raised pattern
Champlevé is an ancient art technique where designs are carved into a metal surface. These carved areas are then filled with a colored, glass-like substance that is melted into the metal by heating. The end result is a detailed, colorful design that stands out against the metal background. This technique is often used to make decorative items such as jewelry, signs, and delicate patterns in metalwork.
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(pagsasaklaw ng anyo)
pagsasagisag ng balangkas
a technique where an artist draws the outline of an object or figure without lifting their drawing tool from the paper
Contour drawing is a drawing technique where an artist creates a picture by drawing the outline of a subject without lifting the pencil, pen, or other tool from the paper. The focus is on capturing the edges and shapes of the subject, which helps to define its structure. This method emphasizes the overall shape and details, often resulting in a more expressive and flowing image. Contour drawing is helpful for improving skills in noticing and understanding the proportions and features of the subject.
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(pagsalungat ng mga balangkas)
kaguluhan ng mga anyo
a phenomenon in visual perception where two curves or contours in the visual field compete for perceptual dominance
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(paghawak)
hatching
a drawing technique that involves using closely spaced parallel lines to indicate the form and shape of an object
Hatching is a drawing technique used to create shading and texture by drawing closely spaced parallel lines. The direction, length, and spacing of these lines can change to create different effects, such as light and shadow or texture. By changing how close together the lines are, artists can produce a range of tones and depth, making the artwork appear more three-dimensional. Hatching is often used in sketching, illustration, and engraving to add detail and contrast.
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(dalle de verre)
salamin na mosaic
a technique of creating decorative mosaic glass wall panels by embedding small square colored glass tiles into cement or plaster
Dalle de verre is a technique used in stained glass art where large, thick pieces of colored glass, known as slabs, are cut into various shapes and arranged to create a design. Instead of using the traditional lead or copper to hold the pieces together, this method uses concrete or resin. This results in a vibrant and textured design. Dalle de verre is often used in modern architectural projects where it can create impressive visual effects. Its durability and bold, contemporary look make it a popular choice for both interior and exterior projects.
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(aeroppektibo)
perspektibong aerial
the technique of depicting depth and distance in art by using color and tone to simulate the effects of atmosphere on the appearance of objects
Aerial perspective is a technique used in art to create the illusion of depth and distance. It involves showing objects that are further away as lighter, less detailed, and often more faded than objects that are closer. This method copies how the atmosphere affects the appearance of objects at different distances, making distant elements appear less clear and more faded. Aerial perspective helps artists make their landscapes and scenes look more realistic by giving a sense of how objects look from a distance.
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(pagpapaedad)
pag-aging
the process of intentionally applying techniques such as staining, distressing, or cracking to a piece of art to create the appearance of age, history, and character
Aging is a technique in art used to make an artwork or its materials look older than they really are. This is done through methods like weathering, which makes the art appear as if it has been damaged by natural elements; discoloring, which imitates fading or staining; and distressing, which adds scratches or dents. Artists might use chemicals, rough materials such as sandpaper, or natural processes to create these effects, often to give new art an antique appearance or to make it feel like it comes from another time.
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(aquarelle)
wakwak
a painting technique that uses water-soluble pigments to create transparent and luminous washes of color on paper or other absorbent surfaces
Aquarelle is a painting technique that uses watercolors to create art. It involves mixing pigments with water and applying them to paper. The technique is known for its delicate and transparent qualities, allowing the colors to blend and flow gently across the surface. Aquarelle paintings often have a light and soft appearance, with colors blending smoothly and creating gentle, flowing effects. This method is particularly valued for capturing light and delicate details, making it popular for landscapes, portraits, and abstract artworks.
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(komposisyon ng mga bagay)
pagsasama-sama
an art technique that involves creating three-dimensional compositions by combining found or discarded objects and materials
Assemblage is an art technique where artists create a piece by combining different objects or materials, often ones that are thrown away or no longer needed. These objects are put together to create a new form or structure, often to convey a message, create a visual impact, or explore new textures and shapes. Assemblage can include anything from pieces of metal and wood to old tools, fabric, and paper. This method is valued for its ability to reuse ordinary objects and turn them into meaningful art, offering a new perspective and interpretations.
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(basse-taille teknik)
basse-taille
a decorative metalwork technique that involves engraving or etching a low relief design onto a metal surface and then filling the grooves with translucent enamel to create a colorful and intricate design
Basse-taille is a technique used in art where a design is carved into a metal surface, and then colored. In this method, the surface is carved in certain areas to create a design with different depths. The hollowed areas are often filled with a colored, glass-like substance. which adds both color and detail. The parts of the surface that were not carved remain in their original color, creating a contrast that makes the design stand out. This technique is often used to create detailed, decorative patterns and is valued for its ability to add both texture and color to a piece.
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(pagbabalat)
pagsisilaw
a technique used in art, printmaking, and bookbinding, which involves rubbing a smooth tool, such as a bone folder or agate burnisher, over a surface in order to create a polished or shiny finish
Burnishing is a technique used to smooth and polish surfaces, often in art and metalworking. It involves rubbing a hard, smooth tool or material, such as a burnishing tool or a piece of polished metal, over a surface to make it glossy and even. This process helps to improve the texture and appearance of the surface by making it shinier and more reflective. Burnishing is commonly used to improve details in carvings, paintings, and metalwork, and can give a polished finish to the artwork.
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(pagtutulo ng pintura)
pagpinta ng patak
an abstract art technique in which paint is applied to a canvas by dripping or pouring the paint directly from the can or tube
Drip painting is a technique where paint is poured or dripped onto a canvas or other surface in a free and uncontrolled manner. This method is known for exploring the physical nature and randomness of paint. The artist allows the paint to flow and spread naturally, creating abstract patterns and textures. Emphasizing the movement and energy of the paint as it falls, drip painting often results in expressive and lively artwork.
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(Droste na epekto)
Epekto ng Droste
an image or design that contains a smaller version of itself, appearing recursively within its own image
The Droste effect is a visual trick where an image contains a smaller version of itself, creating a repeating, loop-like effect where the image seems to go on forever. This effect is named after a Dutch cocoa brand that used this idea on its packaging, the effect making the picture look like it is repeating or stretching into infinity. This effect can be seen in various forms of art and design, including paintings, illustrations, and digital media. The repeating pattern can give the illusion of an endless or recurring space, often creating a unique and dream-like visual effect.
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(dry brush)
tuwa-tuwang sipilyo
a painting technique in which a brush with minimal paint is dragged across a surface to create textured lines and highlights
Drybrush is a painting technique where an artist uses a brush with very little paint on it, usually almost dry, to create texture and detail. By applying the brush with light strokes, the artist achieves a rough, textured effect that allows the underlying surface to show through. This technique is often used to add highlights, create thin lines, or give a more textured appearance to a painting. Drybrush is effective for producing subtle details and effects that stand out against the smoother areas of the artwork.
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N/A
the technique of applying thicker paint on top of thinner paint when painting, so that the layers stick together well and dry properly
Fat over lean is a painting technique used to create layers of paint in a specific order. In this method, artists start with thin, lean layers of paint and gradually build up to thicker, fatter layers. The thin layers are made with less oil, while the thick layers have more oil. This approach helps prevent cracking and ensures that the paint layers properly stick to each other. The principle is based on the idea that each layer of paint should be thinner than the one put on top of it. This technique is often used in oil painting to achieve smooth, durable results and to ensure the longevity of the artwork.
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(pinturang pang-dekorasyon)
faux painting
a decorative technique that imitates other more expensive materials like stone, wood and metal by using paint
Faux painting is a technique used to create the appearance of different textures or materials on a surface, such as walls or furniture, using paint. The term "faux" comes from the French word for "false" or "fake," meaning the goal is to make something look like something else. For example, faux painting can copy the look of marble, wood grain, or leather by using various painting methods and tools. This technique allows for creative and inexpensive ways to achieve luxurious or unique finishes without needing the actual materials. Faux painting is often used in interior design to improve the appearance of a space or to update old surfaces with a fresh, attractive look.
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(sining gamit ang daliri)
daliri-pintura
the art of painting using the fingers rather than brushes
Finger-painting is an art technique where paint is applied to a surface using fingers instead of brushes or other tools. This method is often used by young children for its simplicity and sensory experience, but artists also use it to create unique textures and effects. The painter uses their fingers to spread and blend colors directly on the canvas or paper, allowing for a more personal and direct approach to art. Finger-painting can result in vibrant, expressive works with a range of textures, as the artist controls the paint’s application through touch.
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(pinturang nakadikit sa tuyo na plaster)
fresco-secco
a mural painting technique where pigments are applied to plaster that has dried or cured
Fresco-secco is a painting technique where colors mixed with a glue-like substance are applied to dry plaster on a wall. Unlike true fresco, where colors are painted on wet plaster, fresco-secco allows for more detail and correction, but it is less durable because the paint stays on the surface rather than becoming part of the wall. This method has been used in different historical periods, especially in ancient Egyptian and Renaissance wall paintings.
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(paggold)
gilding
the art of applying a thin layer of gold or silver to a surface to decorate and protect it
Gilding is a decorative technique where a thin layer of gold, silver, or similar materials is applied to a surface. This process can be used on various objects such as picture frames, sculptures, and architectural details to give them a luxurious, shiny appearance. Gilding can be done using gold or silver leaf, which are very thin sheets of metal, or gold or silver paint. This technique has been popular throughout history, especially in art and architecture, to convey wealth and importance.
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(teknik ng gongbi)
gongbi
a Chinese brush painting technique using precise, deliberate brushstrokes to depict subjects in great detail
Gongbi is a traditional Chinese painting technique characterized by its careful, detailed, and accurate brushwork. This style often includes thin lines and detailed patterns, focusing on realistic representation of subjects like flowers, birds, and landscapes. Unlike more unplanned or abstract styles, gongbi paintings are known for their careful, intentional approach, with artists paying great attention to detail and accuracy. This technique has been used for centuries in Chinese art to create highly detailed and elegant artworks.
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(pang-grattage)
grattage
an artistic technique that involves scratching into wet paint with a sharp tool to create textured patterns and lines
Grattage is an art technique where paint is applied to a surface and then scratched or scraped off to create texture and show the underlying layers. This method, often used in modern art, allows artists to create interesting patterns and effects by changing the depth and direction of the scraping. Grattage can produce a range of textures and visual effects, adding a unique, physical quality to the artwork.
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(teknikang grisaille)
grisaille
a painting technique using shades of gray or neutral color to depict a monochromatic scene that imitates a sculpture
Grisaille is a painting technique where shades of gray are used to create a work of art, often to imitate the look of sculpture or raised surfaces. This method involves using different tones of gray to create the illusion of depth and shape, making the artwork appear three-dimensional. Grisaille can be used on its own to produce images in only one color or as a base layer where it provides a detailed gray image before adding layers of color. This technique has been used historically in various art periods, such as during the Renaissance, to create impressive and detailed effects, often improving the visual impact of paintings and artworks.
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(sining ng haboku)
haboku
a Japanese style of painting that uses sumi ink and water to create abstract, expressive brush strokes on paper
Haboku is a Japanese painting technique that involves applying ink or paint in a free, expressive way to create a sense of freedom and lively brushwork. Often used in traditional Japanese ink painting, this technique emphasizes bold, irregular strokes and a rough, textured look. The result is an impressive and flowing effect, capturing the natural quality of the subject rather than focusing on small details. Haboku is valued for its ability to convey emotion and movement, making it a popular choice in East Asian art for both landscapes and abstract designs.
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(proporasyong hierarkikal)
hierarkikal na proporsyon
a method of composition used in art where the size and placement of figures and objects are arranged in a hierarchical structure
Hierarchical proportion is a technique used in art and design where the size of figures or elements is adjusted based on their importance or status, rather than their actual size in the physical world. This means that more important figures are shown larger, while less important ones are shown smaller. This method helps to emphasize main subjects and convey their importance within the artwork or design, guiding the viewer's attention to the most crucial elements.
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(ilusyonistang pinturang kisame)
pintura sa kisame na naglilikha ng ilusyon
a style of painting used in the Renaissance period in which a painted ceiling is designed to create the illusion of a three-dimensional space
Illusionistic ceiling painting is a technique used to create the appearance of three-dimensional space or architectural features on a flat ceiling surface. By using detailed and realistic imagery, artists can make the ceiling look like it has architectural elements such as windows or intricate designs that are not actually there. This technique aims to trick the viewer's eye into seeing depth and complexity that is not physically present, often resulting in dramatic and visually interesting effects. Illusionistic ceiling painting is particularly associated with Baroque and Renaissance art, where it was used to improve the impressiveness of places.
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(lost-wax casting (nawala na waks na pagbuhos))
pagbuo gamit ang nalusaw na waks
a sculpture technique in which a wax model is coated in a mold material, heated to melt out the wax, and then molten metal is poured into the empty mold to form the final sculpture
Lost-wax casting is a technique used to create metal objects by first making a mold from a wax model that is then melted away. An artist starts by creating a model of the desired object using wax. This wax model is covered in a heat-resistant material to form a mold. Once the mold hardens, it is heated, causing the wax to melt and drain out, leaving a space in the shape of the original model. Melted metal is then poured into this space to create the final object. This method allows for delicate details and has been used for thousands of years, especially for sculptures and jewelry.
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(Mosaic)
Mosaiko
an art form that uses small pieces of material, such as stone, glass or ceramic, arranged to form an image or pattern
A mosaic is a type of art created by putting together small pieces of materials, such as colored glass, stones, or tiles, to form a larger image or pattern. The individual pieces, called tesserae, are arranged on a surface, such as a wall or floor, and then fixed in place with grout or glue. Mosaics can create detailed and typically colorful designs, and they are often used to cover large areas or to create elaborate artwork. They have been used for thousands of years in various cultures to decorate buildings, public spaces, and artworks, providing a durable and visually impressive way to decorate surfaces. Mosaics are not only used for decoration but are also used as a way to tell stories or show scenes through their patterns and images.
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(Teknik ng nerikomi)
nerikomi
a Japanese clay technique in which contrasting pieces or textures of different colored clays are combined while wedged and rolled into a single form
Nerikomi is a Japanese ceramic technique where different colored clays are layered, mixed, and then shaped to create delicate and colorful patterns in the ceramic piece. The process involves preparing multiple colors of clay, stacking or mixing them in various ways, and then cutting and putting them back together to form designs. These patterns are visible both on the surface and inside the ceramic, resulting in visually impressive and detailed patterns when the piece is heated. Nerikomi is often used to create unique and decorative pottery, tiles, and other ceramic items.
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(tuwid na proyeksiyon)
oblik na proyeksiyon
a method of perspective drawing in which the projection plane is oriented at an angle between the view direction and the horizontal plane
Oblique projection is a method of drawing a three-dimensional object on a two-dimensional surface where the object is shown at an angle. In this technique, the front of the object is drawn in its actual size and shape, while the depth is shown at an angle, usually at 45 degrees. This creates a view where the front and side of the object are visible at the same time, making it easier to understand the object's shape and size. Oblique projection is commonly used in technical drawings and illustrations, such as floor plans, architectural designs, and engineering sketches, to provide a clear and simple view of complex objects.
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(paggamit ng gintong dahon (o pilak))
pholage
an artistic technique in which gold or silver leaf is applied to a surface and then scraped away in patterns to create textures and designs
Pholage is a technique in art where gold, silver, or metallic leaf is applied to a surface and then partially removed to create patterns and textures. The process involves placing thin sheets of metal leaf onto the surface, letting them stick, and then using tools to carefully scrape away parts of the leaf to reveal delicate designs underneath. This technique adds a noticeable shine and depth to artworks and is often used in decorative arts to produce elegant and detailed effects.
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(teknik na plique-a-jour)
pliqué à jour
a decorative technique used in various crafts, including jewelry and enamel work, where a metal framework is filled with clear material, such as enamel or glass, allowing light to pass through and creating a stained glass-like effect
Plique-à-jour is a technique involving melting enamel, a type of glass powder, to create a stained-glass effect within metal frameworks. In this method, transparent or semi-transparent enamel is poured between metal sections or cells, which are left open to let light pass through. When fired in a kiln, a special oven used for heating ceramics and glass, the enamel becomes glass-like, and the light shines through the gaps, creating a bright and colorful effect similar to stained glass. This technique is often used in jewelry and decorative items to produce vibrant, see-through designs.
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(mabilis na paglikha ng biswal na imahinasyon)
mabilis na biswal na pag-unawa
the ability to quickly imagine and mentally manipulate objects, scenes and logical relationships
Rapid visualization is a technique used to quickly create visual representations of ideas or concepts. It involves sketching or drawing out ideas in a fast and clear way to convey a concept or plan without focusing on detailed artwork. This method is often used in design, architecture, and brainstorming sessions to quickly communicate and explore different options or solutions. Rapid visualization helps in making quick decisions and improving ideas by providing a clear and quick visual representation.
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(mulaw)
ukit
a method of carving a decorative pattern in a piece of wood, stone, etc. in a way that it stands out the surface
Relief is a sculpting technique where the design sticks out from a flat surface, creating a three-dimensional effect. The background remains flat, while the figures or patterns stand out at different levels, giving the appearance of depth. Relief can be either high, where the figures stick out a lot, or low, where the design sticks out less. This technique is commonly used in architecture, coins, and decorative art to add visual interest and texture.
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(pagsasagisag)
pagkukulay
a method of creating an image by applying pigment or graphite to the surface of textured material and then rubbing it with paper
Rubbing is a technique for creating an image by placing a sheet of paper over a textured surface and then applying pigment or graphite on top. By moving a pencil or other tool across the paper, the texture underneath is transferred onto the surface, revealing the design. This method is often used to capture textures or details from surfaces like coins, tree bark, or carvings, creating a detailed and textured image.
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(paghalu-halo)
sfumato
a technique that involves blending or softening edges in a painting to create a "smoky" or hazy effect that evokes mystery and ambiguity
Sfumato is a painting technique that involves blending colors and tones so smoothly that there are no harsh lines or transitions. The term, coming from the Italian word “sfumare,” meaning “to smoke,” describes how the artist creates a soft, blurred effect where different shades blend together gently. This technique is often used to achieve a realistic, gentle quality in portraits and landscapes, giving the impression of depth and volume.
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(sgraffito (decorative technique))
sgraffito
a decorative technique in which designs are incised through the surface layer of plaster or paint to reveal a contrasting color underneath
Sgraffito is a technique used in art and pottery where a surface layer of material is scratched or scraped away to reveal a different color or texture underneath. The process involves applying a layer of slip, known as liquid clay, or paint to a surface, then scratching or carving designs into it before it dries or sets. This technique creates detailed and often delicate patterns and can be used to add contrast and depth to artworks. Sgraffito is commonly used in ceramics, wall decoration, and paintings, and is also used in creating functional items like bowls, plates, and tiles.
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(pagsipilyo ng pintura)
spray paint
a painting technique in which paint that is kept under pressure in a container is sprayed on a surface
Spray painting is a method of applying paint using a spray can or spray gun, which releases an even mist of paint onto a surface. This technique allows for an even and smooth application, making it suitable for covering large areas quickly or creating detailed designs with accuracy. Spray painting is commonly used in various fields, including art, car repairs, and home improvement, due to its ability to produce a consistent finish. It is also popular for creating graffiti and street art.
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(pagtutuldok)
tuldok-duldok
a painting or drawing technique using small dots of color applied in patterns to create tones, textures and images
Stippling is a technique where small dots or short strokes are used to create an image or texture. By changing the amount and placement of these dots, artists can produce different shades and details, creating the illusion of depth and shading. This method is commonly used in drawing and printmaking to add detail and texture, and it can be applied with pens, brushes, or other tools. Stippling is valued for its ability to create detailed and delicate effects through the careful placement of individual marks.
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(paraan ng paglilipat)
teknik ng paglilipat
a method of applying an image or design to a different surface by using an intermediate material to which the image is first applied and then transferred
The transfer technique is an art method where an image or design is copied from one surface to another. This is typically done by placing a paper with a printed or drawn image onto a new surface and using a tool like water, heat, or pressure to copy the image. Common methods include using transfer paper, carbon paper, or specialized transfer inks. This technique allows artists to reproduce detailed images or patterns onto different materials, such as canvas, fabric, or wood, making it useful for various artistic and craft projects.
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(pamamaraang tarashikomi)
tarashikomi
a traditional Japanese painting technique where colors are dripped onto a still-wet surface to create a blending effect
Tarashikomi is a traditional Japanese painting technique used in ink and water paintings. This method involves applying a layer of paint or ink onto a surface that is still wet, causing the colors to blend and spread in unpredictable ways. The result is a rich, textured effect that adds depth and complexity to the artwork. Tarashikomi is often used to show natural elements like plants, flowers, and landscapes, giving them a flowing and lively appearance.
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(larawang berdeng)
berdilya
a painting created entirely in green
Verdaille is a painting technique that uses different shades of green to create artwork. This method can be used in two ways: first, by applying various greens as a base layer to create forms and shadows before adding other colors, or second, by painting the entire piece in shades of green. Verdaille is valued for its ability to create depth and contrast with just one color, providing a consistent and balanced look in both approaches.
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