Könyv: Interchange - Haladó - 1. egység – 2. rész

a picture created by paint

an artist who paints pictures

possessing a natural skill or ability for something

the quality to face danger or hardship without giving in to fear

an event causing great suffering, destruction, and distress, such as a natural disaster or a serious accident

a feeling of expectation and desire for a particular thing to happen or to be true

a disabling and life-threatening disease that causes nerve injuries leading to permanent paralysis, happens mostly in children younger than five

to change and become stronger or more advanced

the state of being physically or mentally sick

(of a person or thing) harmed or spoiled

used to describe a period of time that has no end

having a lot of physical power

the events or situations that are predetermined or inevitable for a person, often believed to be controlled by a higher power

any physical damage to a part of the body caused by an accident or attack

to say or show one's unwillingness to do something that someone has asked

without anyone else

to experience and be affected by something bad or unpleasant

the general condition of a person's mind or body

a part of something that is left

not commonly happening or done

something that has been successfully done, particularly through hard work

the formal and legal relationship between two people who are married

to a significant or notable degree beyond all others

(of a woman or a female animal) carrying a baby inside one's body

used to express regret or say that something is disappointing or sad

owning a very small amount of money or a very small number of things

having a long distance between opposite sides

in accordance with what is logical, typical, or expected

to pay attention and become aware of a particular thing or person

the quality of being attractive or pleasing, particularly to the eye

to greatly surprise someone

the quality of behaving or talking in a way that is truthful and free of deception

to cause damage to something in a way that it no longer exists, works, etc.

the act of taking notice of someone or something

belonging to or following the methods or thoughts that are old as opposed to new or different ones

to know who a person or what an object is, because we have heard, seen, etc. them before